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What We Can Learn About Sibling Rivalry From Serena and Venus Williams
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Diaz, who is filming What Happens in Vegas... in New York, split from longtime boyfriend Justin Timberlake in January. Mayer ended his on-again, off-again relationship with Jessica Simpson in June.
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The embattled and isolated rebels have built their own cult of personality around icy, rational President Alma Coin (Julianne Moore, the splashiest addition to this cast) and emanate a general vibe of jumpsuited conformity that is not entirely reassuring. Katniss’ old pal and Hunger Games mentor Haymitch (Woody Harrelson) is here to play a cameo role in the revolution – but cold sober, since Coin’s regime is strictly prohibitionist. Former game designer Plutarch Heavensbee, now Coin’s right-hand man, is still the same canny, untrustworthy operator as ever – and, yeah, Plutarch is played by Philip Seymour Hoffman, and I was surprised how painful it was to see him on-screen one more time. It’s a terrifically slippery role to go out with, at least. (Capitol fashion maven Effie Trinket, marvelously played by Elizabeth Banks, has been dragged into the revolutionary cause as well, but she can’t do anything about those jumpsuits.)
I brought up Edmund Burke earlier because he drew an important philosophical line in the sand between the American Revolution, which he supported, and the subsequent French Revolution, which he despised. No doubt that’s inflating the coherence of the “Hunger Games” universe quite a bit, since it’s more like a combination of Burke’s aristocratic Whig caution and the humanist idealism of Jean-Jacques Rousseau, a major Burke adversary. We’ll have to see how Francis Lawrence and his team handle Collins’ violent and explosive final chapter, which delivers several different kinds of endings. (The second half of “Mockingjay” is still a full year away.) If this all adds up to a subtly self-sabotaging fable of rebellion that foregrounds the individual over the community, as I strongly suspect, that’s hardly a surprise. As a work of potent, ambivalent and open-ended pop spectacle, it’s first-rate.
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Yeah, when they were founded in the ??90s, getting out of the E.U. was their whole thing. But they have kind of drifted towards also being very focused on immigration, because that??s also probably some of the most tangible effects of E.U. membership that British people experience everyday in their lives, is European immigrants working in the U.K. I guess they identify that as the biggest scourge in Britain.
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In addition to overlooking the potential implications of promoting an alcoholic beverage as the perfect tool for “removing ‘no'” from people’s vocabularies for a few hours, Bud Light has failed to acknowledge how it can prevent another misfire, this year or next. The company’s response to the controversy seems to be just that: a reaction. It is not a proactive measure, and there was clearly no lesson learned from last year’s gaffe, which is what allows the cycle of #brand confusion and legitimate complaints about the promotion of rape culture to continue while social media collapses in on itself.
But, as BuzzFeed points out, this is neither the first time Bud Light has, in fact, implicitly condoned “disrespectful or irresponsible behavior” with the #UpForWhatever campaign, nor is it the first time it’s had to apologize for doing so. Last year, in honor of St. Patrick’s Day, the company urged consumers to pinch people who weren’t wearing green, sparking social media backlash over Bud Light’s lack of consideration for consent. Unfortunately, it’s not surprising that — for a second year — controversy has erupted over the very same thing.
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“Yes, from your various evil playmates on the east coast to [here an individual’s name is redacted because Hoover’s allegations about her have not been confirmed or debunked] and others on the west coast and outside the country you are on the record. King you are done,” Hoover declares.
The embattled and isolated rebels have built their own cult of personality around icy, rational President Alma Coin (Julianne Moore, the splashiest addition to this cast) and emanate a general vibe of jumpsuited conformity that is not entirely reassuring. Katniss’ old pal and Hunger Games mentor Haymitch (Woody Harrelson) is here to play a cameo role in the revolution – but cold sober, since Coin’s regime is strictly prohibitionist. Former game designer Plutarch Heavensbee, now Coin’s right-hand man, is still the same canny, untrustworthy operator as ever – and, yeah, Plutarch is played by Philip Seymour Hoffman, and I was surprised how painful it was to see him on-screen one more time. It’s a terrifically slippery role to go out with, at least. (Capitol fashion maven Effie Trinket, marvelously played by Elizabeth Banks, has been dragged into the revolutionary cause as well, but she can’t do anything about those jumpsuits.)
I brought up Edmund Burke earlier because he drew an important philosophical line in the sand between the American Revolution, which he supported, and the subsequent French Revolution, which he despised. No doubt that’s inflating the coherence of the “Hunger Games” universe quite a bit, since it’s more like a combination of Burke’s aristocratic Whig caution and the humanist idealism of Jean-Jacques Rousseau, a major Burke adversary. We’ll have to see how Francis Lawrence and his team handle Collins’ violent and explosive final chapter, which delivers several different kinds of endings. (The second half of “Mockingjay” is still a full year away.) If this all adds up to a subtly self-sabotaging fable of rebellion that foregrounds the individual over the community, as I strongly suspect, that’s hardly a surprise. As a work of potent, ambivalent and open-ended pop spectacle, it’s first-rate.
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Yeah, when they were founded in the ??90s, getting out of the E.U. was their whole thing. But they have kind of drifted towards also being very focused on immigration, because that??s also probably some of the most tangible effects of E.U. membership that British people experience everyday in their lives, is European immigrants working in the U.K. I guess they identify that as the biggest scourge in Britain.
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In addition to overlooking the potential implications of promoting an alcoholic beverage as the perfect tool for “removing ‘no'” from people’s vocabularies for a few hours, Bud Light has failed to acknowledge how it can prevent another misfire, this year or next. The company’s response to the controversy seems to be just that: a reaction. It is not a proactive measure, and there was clearly no lesson learned from last year’s gaffe, which is what allows the cycle of #brand confusion and legitimate complaints about the promotion of rape culture to continue while social media collapses in on itself.
But, as BuzzFeed points out, this is neither the first time Bud Light has, in fact, implicitly condoned “disrespectful or irresponsible behavior” with the #UpForWhatever campaign, nor is it the first time it’s had to apologize for doing so. Last year, in honor of St. Patrick’s Day, the company urged consumers to pinch people who weren’t wearing green, sparking social media backlash over Bud Light’s lack of consideration for consent. Unfortunately, it’s not surprising that — for a second year — controversy has erupted over the very same thing.
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“Yes, from your various evil playmates on the east coast to [here an individual’s name is redacted because Hoover’s allegations about her have not been confirmed or debunked] and others on the west coast and outside the country you are on the record. King you are done,” Hoover declares.
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